<?xml version="1.0"?>
<oembed><version>1.0</version><provider_name>WAMU</provider_name><provider_url>https://wamu.org</provider_url><author_name>admin</author_name><author_url>https://wamu.org/author/admin/</author_url><title>Poets Take Cues From Journalism In Recent Collections</title><type>rich</type><width>600</width><height>338</height><html>&lt;blockquote class="wp-embedded-content" data-secret="jUEaKgguZl"&gt;&lt;a href="https://wamu.org/story/16/07/15/poets_take_cues_from_journalism_in_recent_collections/"&gt;Poets Take Cues From Journalism In Recent Collections&lt;/a&gt;&lt;/blockquote&gt;&lt;iframe sandbox="allow-scripts" security="restricted" src="https://wamu.org/story/16/07/15/poets_take_cues_from_journalism_in_recent_collections/embed/#?secret=jUEaKgguZl" width="600" height="338" title="&#x201C;Poets Take Cues From Journalism In Recent Collections&#x201D; &#x2014; WAMU" data-secret="jUEaKgguZl" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"&gt;&lt;/iframe&gt;&lt;script type="text/javascript"&gt;
/*! This file is auto-generated */
!function(c,d){"use strict";var e=!1,o=!1;if(d.querySelector)if(c.addEventListener)e=!0;if(c.wp=c.wp||{},c.wp.receiveEmbedMessage);else if(c.wp.receiveEmbedMessage=function(e){var t=e.data;if(!t);else if(!(t.secret||t.message||t.value));else if(/[^a-zA-Z0-9]/.test(t.secret));else{for(var r,s,a,i=d.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),n=d.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),o=new RegExp("^https?:$","i"),l=0;l&lt;n.length;l++)n[l].style.display="none";for(l=0;l&lt;i.length;l++)if(r=i[l],e.source!==r.contentWindow);else{if(r.removeAttribute("style"),"height"===t.message){if(1e3&lt;(s=parseInt(t.value,10)))s=1e3;else if(~~s&lt;200)s=200;r.height=s}if("link"===t.message)if(s=d.createElement("a"),a=d.createElement("a"),s.href=r.getAttribute("src"),a.href=t.value,!o.test(a.protocol));else if(a.host===s.host)if(d.activeElement===r)c.top.location.href=t.value}}},e)c.addEventListener("message",c.wp.receiveEmbedMessage,!1),d.addEventListener("DOMContentLoaded",t,!1),c.addEventListener("load",t,!1);function t(){if(o);else{o=!0;for(var e,t,r,s=-1!==navigator.appVersion.indexOf("MSIE 10"),a=!!navigator.userAgent.match(/Trident.*rv:11\./),i=d.querySelectorAll("iframe.wp-embedded-content"),n=0;n&lt;i.length;n++){if(!(r=(t=i[n]).getAttribute("data-secret")))r=Math.random().toString(36).substr(2,10),t.src+="#?secret="+r,t.setAttribute("data-secret",r);if(s||a)(e=t.cloneNode(!0)).removeAttribute("security"),t.parentNode.replaceChild(e,t);t.contentWindow.postMessage({message:"ready",secret:r},"*")}}}}(window,document);
&lt;/script&gt;
</html><description>NPR's Ari Shapiro talks with our poetry reviewer Tess Taylor about three recent collections that take their cues from nonfiction, including Admit One by Martha Collins, Look by Solmaz Sharif and Olio by Tyehimba Jess.</description><thumbnail_url>http://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&amp;utmdt=Poets+Take+Cues+From+Journalism+In+Recent+Collections&amp;utme=8(APIKey)9(MDAxNzk1MDc4MDEyMTU0NTY4ODBlNmE3Yw001)</thumbnail_url></oembed>
