Exorcism -- an early Eugene O'Neill play about suicide, divorce and alcoholism — was thought to be lost for good. But a manuscript recently turned up in an estate sale, and a revival has been staged. But is it ethical to stage a play O'Neill himself wanted to be forgotten?
The innovative puppeteer Basil Twist is the focus of a mini-festival in Washington, D.C. this spring. Performances include the underwater Symphonie Fantastique and Arias With a Twist, featuring renowned drag artist Joey Arias. Elizabeth Blair talks with Twist about his singular creations.
"To be or not to be" may be the question, but there's another question that's been nagging Shakespeare scholars for a long time: What did Hamlet, Macbeth, Romeo and Juliet really sound like when The Bard's work was first performed more than four centuries ago?
Edith is a protective 12-year-old who carries around a giant stuffed frog and a rifle. She and her 16-year-old brother Kenny are latchkey kids, growing up in rural America. They are characters in the play Edith Can Shoot Things And Hit Them, by Filipino-American Rey Pamatmat. They play was just named as a finalist for the American Theater Critics Association's Steinberg Award for New Plays.
Maryland's Round House Theatre is about to present the 10th annual Sarah Play, produced by area high school students to honor the memory of Sarah Emily Metzger, a Round House intern who died in a car accident.
The word carries "disaster" in its meaning, but this weekend it's the name for a series of stage benefits across the U.S. and around the globe, all to commemorate the first anniversary of the massive Tohoku earthquake and tsunami — and fund relief efforts for Japanese artists.
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