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'Zero Dark Thirty': Taking Bin Laden Down

Director Kathryn Bigelow and screenwriter Mark Boal last teamed up on the Oscar-winning The Hurt Locker, set during the Iraq war. The hunt for Osama bin Laden is the subject of their new drama, Zero Dark Thirty.
NPR

Hollywood Execs Shift Programming After Newtown Shooting

Entertainers are making shifts in their programming because of the killings in Connecticut. The premiere for the violent movie Django Unchained was cancelled and a reality show about a funeral was delayed until January, among other moves.
NPR

Naomi Watts, Mulling 'The Impossible'

The 2004 Indian Ocean tsunami touched people in all corners of the globe. In The Impossible, Naomi Watts plays a tourist whose family is torn apart when the disaster strikes. She speaks with NPR's Melissa Block about waterborne work, and about her own fear of the sea.
NPR

Shedding Grim Light On A 'Dark' Story

Zero Dark Thirty tells a story most Americans know all too well, detailing the search for Osama bin Laden from Sept. 11, 2001, to the SEAL strike on his compound in 2011. NPR's Bob Mondello says the film brings a degree of complexity to a story with a very dark side. (Recommended)
NPR

'Not Fade': Rock 'N' Roll, Here To Stay

In his new film, Sopranos creator David Chase tells a coming-of-age story about Jersey boys in the 1960s who dream of riding the wave of the British invasion all the way to stardom. Chase teams up with Steven Van Zandt — of the E Street Band and The Sopranos — to make the movie's music rock.
NPR

Bigelow And Boal, Dramatizing The Hunt For Bin Laden

NPR's Renee Montagne speaks with director Kathryn Bigelow and screenwriter Mark Boal. The team behind The Hurt Locker is out with a new film, Zero Dark Thirty, about the hunt for Osama bin Laden.
NPR

'Unchained' Admiration Between Actor And Director

Austrian actor Christoph Waltz won an Oscar for his portrayal of Nazi Jew hunter Hans Landa in Quentin Tarantino's 2009 film Inglourious Basterds. Teamed up with Tarantino again in Django Unchained, he says Tarantino's writing and the rhythm of the language speaks to him as a performer.

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