This is the year that drive-in movie theater owners have dreaded: They must convert their projectors from film to digital. It costs tens of thousands of dollars to make the switch, and that may be too much for many of the remaining 400 or so drive-ins left in the United States.
In Richard Linklater's third film about Jesse and Celine, the two have officially coupled up, but it's no fairy tale. The love is still there, but the daily grind is getting in the way of communication. Linklater, Ethan Hawke and Julie Delpy join Fresh Air's Terry Gross to talk about the new film.
Fresh Air's critic at large John Powers returns from the 2013 Cannes Film Festival with tales of the good, the bad, and the parties. He says Blue Is the Warmest Color was "the film of the festival" while Only God Forgives was the biggest disappointment.
Horror director Rodrigo Gudino grew up Roman Catholic in Mexico, but now he calls Canada his home. He's no longer a practicing Catholic, but he's brought the aesthetics of his childhood into his movies, including his latest, The Last Will and Testament of Rosalind Leigh.
The Truffaut borrowings are explicit in Noah Baumbach's Frances Ha, while Richard Linklater's Before Midnight takes its cues from Eric Rohmer's gentle but expansive talkfests. In both films, conversation is a centerpiece as characters navigate relationships.
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