Mehta conducted the Bavarian State Orchestra in Srinagar over the weekend. But the audience of mostly VIPs rankled many Kashmiris — and the heavy police presence served as a reminder of the security situation in the restive Indian state.
While making the case for striking Syria, the secretary of state also tried to reassure Americans and U.S. allies that the effort won't draw the nation into another war. His choice of words is getting attention.
Many people saw the Arab Spring as a sign of hope for youth in the area. But unemployment numbers there reflect the opposite. Host Michel Martin speaks with The Wall Street Journal economics reporter Sudeep Reddy and Shadi Hamid, director of research at the Brookings Doha Center, about the economic realities of the post-Arab Spring world.
Blitz the Ambassador grew up listening to Public Enemy in Ghana. Now he's bringing an African flavor to American hip-hop. He speaks to host Michel Martin about what his latest release, The Warm Up, says about the U.S. immigrant experience.
Researchers argue that through social media and on-the-ground research, a detailed portrait of the Syrian rebels has emerged. This goes against the conventional wisdom, which holds that little is known about the rebel factions.
Russia's foreign minister says he has told his Syrian counterpart that one way to head off a U.S. strike could be to hand over control of those weapons to international watchdogs. The Assad regime has reportedly welcomed the suggestion. The White House says any turnover has to be verifiable.
Crew members set the fire to get rid of their cargo, according to officials in Italy and Malta. Authorities had approached the Gold Star, a Tanzania-registered ship, for an inspection Friday afternoon.
The prime minister took a train from London to York on Saturday, and a passenger says Cameron left his "red box" unattended for a time. It's one of the traditional briefcases that British officials use to carry papers. Cameron's office, though, says security personnel were always near.
Sunset atMontmajour was painted in 1888. Because it was unsigned, researchers had doubted its authenticity. But now, thanks to closer examinations of the canvas, brush strokes and letters that Van Gogh wrote, experts are convinced it's the real thing.
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