Artist Marc Ahr has been drawing the Olympics for 22 years. For him, it doesn't matter what the press narrative is, how the countries are preparing, or even who wins or loses. Asked about negative news surrounding Sochi, he says that here, "everything is impossible, but everything is possible."
Ever since there have been puddles of water, human beings have gazed at their reflections. Our need to primp and preen, whether we live in the Bronze Age or the Space Age, is on display in a new exhibit at the Metropolitan Museum in New York called Vanities: The Art of the Dressing Table.
With money tight, Italian officials are faced with an unbearable choice: Which works of art should be saved, when the government can't afford to save them all? At the end of 2013, the government organized an online vote to give citizens a say in the matter.
A new exhibit at the Peabody Essex Museum in Salem, Mass., features a flock of 70 finches and an array of tuned and amplified guitars. As the flock fills the open room, the birds are free to land on the guitars, making music of their own as they move and jump off the instruments.
In Detroit, a group of local and national foundations has pledged more than $330 million to keep the city from auctioning off assets from the Detroit Institute of Art. The purpose of the deal is twofold: to preserve the collection and to raise money for the city's underfunded pension plans.
In 1968, the Museum of Modern Art bought his painting LOVE and made him a star. It became a sculpture, a stamp, greeting cards — and it obscured the rest of his career. Now the first major retrospective of Indiana's work has begun a national tour at the Whitney Museum of American Art.
The U.S. has one of the world's best collections of Chinese paintings, but only four master conservators who know how to take care of them — and they're all approaching retirement. At the Freer and Sackler Galleries in D.C., Xiangmei Gu is passing her skills on to a new generation.
Beat Nation is a traveling art exhibition that mines the similarities between hip-hop and indigenous culture. It's made a big splash in Canada, where indigenous protest movements have recently captured headlines.
As the city tries to emerge from bankruptcy, the artwork in the Detroit Institute of Arts — a collection appraised at more than $850 million — might wind up on the auction block. But a federal judge mediating Detroit's bankruptcy has a plan that just might keep the art in the city — and reduce cuts to retirees' pensions.
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