Moneyball stars Brad Pitt as Billy Beane, the Oakland A's general manager who used analytics and statistics to stay competitive against other teams with much larger payrolls. Critic David Edelstein says the film, based on the 2003 Michael Lewis book, is "entertaining as a sports-underdog story."
Susan Lucci is the most famous actress in daytime drama, but her reign comes to an end on Friday, when her soap — ABC's All My Children — airs its final episode. Lucci joins NPR's Linda Wertheimer to reflect on her time with the show.
Dana Spiotta's third novel, Stone Arabia, is about an aging musician who never achieved the type of success he'd have liked. Rather than giving up, he chronicles an imaginary version of his life — as a successful rock star recording his career in a series of journals.
The veteran actor has played a Nazi-hunter, a vampire, a cowboy hitchhiker and the outlaw Jesse James. In his latest film, Brad Pitt plays the manager of baseball's Oakland A's. He tells Fresh Air's Terry Gross why the part interested him and what it's like to live life in the public eye.
Georgia executed Troy Davis Wednesday night for the shooting death of a police officer, despite widespread opposition to the execution and Davis' innocence plea. A Pulitzer Prize-winning journalist's new book says the Obama White House was a hostile workplace for women. And Dominique Strauss-Kahn confesses to "moral failing." The Beauty Shop women weigh in.
One of the literary world's unexpected successes over the past year has been a book written by former French resistance fighter Stephane Hessel. In Time for Outrage, Hessel calls for young people to resist the injustices of today's world — and he seems to have struck a nerve.
After a tough few years, Johnson Publishing says it has righted its course — revamping its flagship titles and selling an equity stake in the iconic black-owned company to raise money for brand-building.
Philadelphia's Mutter Museum invited Stephen and Timothy Quay to capture the collection of medical oddities in the filmmakers' signature moody, avant-garde style. "We never walk through the front door," the Quays say of their approach to film. "We insist on coming through the side door or the back door."
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