Welcome to NPR's Back-Seat Book Club, where author Neil Gaiman is here to answer your questions about The Graveyard Book. Gaiman explains how Nobody Owens, a young boy raised in a graveyard, learns the value of life from the dead.
Could Shakespeare have been in love if he didn't even exist? Director Roland Emmerich's Elizabethan-era costume drama turns a cockamamie idea about the Bard's "real" identity into a ridiculous but handsome thriller.
The PBS documentary series America in Primetime, which premieres this weekend, puts TV under the microscope, analyzing various tropes and character archetypes. Critic David Bianculli says it's the smartest TV show about television he's seen in the past two decades.
The lives of writers drive two films opening this week: The Rum Diary, starring Johnny Depp, dramatizes a Hunter S. Thompson novel. Roland Emmerich's Anonymous, meanwhile, examines who wrote Shakespeare's plays. Critic David Edelstein says both films show how hard it is to write about writers.
Many of Spencer's novels feature a turning point — a dreadful, unplanned act committed by one of the characters. In his latest book, Man in the Woods, a carpenter accidentally kills a man, which leads him to question himself and his relationship with God.
An oft-debunked notion about the authorship of Hamlet, Macbeth and the rest is at the core of a new political thriller from director Roland Emmerich. Screenwriter John Orloff tells Renee Montagne that he's less interested in historical fact than in dramatizing "the process of creativity."
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