India's politics and history play a central role in Jhumpa Lahiri's The Lowland. In the Booker Prize-nominated novel, an Indian radical is killed, and his wife and brother start over in America. Lahiri tells NPR's Lynn Neary that the story is inspired by true events, but very unlike her own life.
NPR's Neda Ulaby talks to David Saltzberg, the scientist who makes sure that all those equations splashed all over CBS's hugely popular The Big Bang Theory make sense. He also helps create realistic dialogue, and he even wrote a joke once.
Bob Odenkirk and David Cross created and starred in the short-lived sketch comedy program Mr. Show. Fifteen years after their show went off the air, they have a new book of old scripts that were rejected by Hollywood.
It's the top-selling spirit in the world, but you've probably never heard of it. That's because Jinro soju does less than 5 percent of its sales in the U.S. Now, they're looking to expand that presence — by a lot. "We want to be in every store," says one marketing manager. "That's our main goal."
Once dismissed as "doomed to oblivion," Ed Ruscha's first photo series celebrates its 50th anniversary this year. Ruscha devoted his photography to all the mundane details of his native Los Angeles, capturing all the gas stations and buildings that go missing in glamor shots.
You will be given two words. Think of a third word that can follow each to complete a familiar two-word phrase. The third word will rhyme with one of the given words. For example, given "blame" and "board," you would say "game," as in "blame game" and "board game."
Former NFL receiver Nate Jackson's new memoir, Slow Getting Up, is a raw account of his six years on the field. Jackson spent most of that time with the Denver Broncos, and while he wasn't a star, he got just as banged up as the big-name players — and learned to play through the pain.
Samantha Geimer was victimized twice: once by an infamous Hollywood director who fled prosecution after raping her when she was 13, and again by a relentless media, which has hounded her for the past three decades.
The film, about a young girl who desperately wants a bicycle, is the first feature made entirely in Saudi Arabia. Director Haifaa Al Mansour joins host Rachel Martin to talk about making the film in a country where Mansour couldn't work outdoors unsupervised.
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