Aimee Mann: The 'Charmer' And The Disciplined Id | WAMU 88.5 - American University Radio

NPR : Fresh Air

Filed Under:

Aimee Mann: The 'Charmer' And The Disciplined Id

If you listen to the music on Charmer, hearing Aimee Mann's vocals as just another lilting instrument, you'd probably think the album was just what the title suggests: a charmer. The melodies have an airy quality, at once floating and propulsive, and even without fixing on the words, you can hear that they're metrically precise, with carefully counted-out syllables and tight rhymes.

Once you key in to what Mann is singing about, her new album takes on another dimension. Early on, in songs such as "Disappeared" and "Labrador," there seems to be a streak of masochism, or at least self-criticism. In "Disappeared," she refers to herself as a "gullible stooge" who's become the latest victim of a guy who drops relationships with chilling abruptness. And in "Labrador," she's the dog: "When we first met / I was glad to be your pet, like a lab I once had." But Mann really isn't into self-abasement; she gets in a good jab at the "Disappeared" guy as a "forgotten face behind a beard," and she tries on an array of different roles in other songs. One striking composition, "Gumby," takes a point of view I don't think I've ever heard in a pop song: She's the woman in a relationship who urges her guy to pay less attention to her and more attention to his daughter, whom she feels he's neglecting.

In the past, Mann's natural tendency to sing with a rather blank affect, allowing the listener to project whatever he or she wants onto her vocals, has occasionally come across as remote or detached. I heard this habit as part of her rejection of look-at-me stardom after the success of 'Til Tuesday, a period of her life she's repeatedly said she didn't particularly enjoy. But on Charmer, she really commits — she's thoroughly engaged, as when she trades verses with James Mercer from The Shins in the terrific "Living a Lie."

When you've listened enough to all 11 songs on Charmer to form a complete experience, you can take it in as a song cycle about getting rid of a cynical frame of mind; about distancing yourself from people who are dragging you down, about building a life that's not, as she sings, "living a lie." I'll use a cliché that Aimee Mann never would: Charmer is about the power of positive thinking, but without the false cheeriness. She may have named her record company Superego Records, but she's trying to work with a disciplined id.

Copyright 2012 National Public Radio. To see more, visit http://www.npr.org/.

NPR

'One Of Us' Examines The Damaged Inner Terrain Of Norwegian Mass Shooter

Journalist Asne Seierstad chronicles the 2011 shooting massacre in her country in her latest book. Critic Maureen Corrigan calls the work "engrossing, important and undeniably difficult to read."
NPR

Natural GMO? Sweet Potato Genetically Modified 8,000 Years Ago

People have been farming — and eating — a GMO for thousands of years without knowing it. Scientists have found genes from bacteria in sweet potatoes around the world. So who made the GMO?
WAMU 88.5

Alexandria Mayor Bill Euille Faces Two Primary Challengers

Alexandria Mayor Bill Euille is being challenged in a Democratic primary by former Mayor Kerry Donley, who says Euille has taken too long to accomplish construction of the Potomac Yard Metro, and Vice Mayor Allison Silberberg, who has support from voters who disagree with the scale of the controversial waterfront development.
NPR

As Emoji Spread Beyond Texts, Many Remain [Confounded Face] [Interrobang]

There's a growing tendency to bring the tiny hieroglyphs off of phones, but not everyone is fluent. New takes on emoji integration suggest misunderstanding may be remedied with universal translation.

Leave a Comment

Help keep the conversation civil. Please refer to our Terms of Use and Code of Conduct before posting your comments.