New Plays Turn Passive Audience Members Into Participants
By: Jeff Lunden
May 27, 2013
Several productions in New York's smaller theaters aren't content with providing passive experiences — the audience is asked to participate. Here Lies Love, a new David Byrne musical about Imelda Marcos at the Public Theater, is set in a disco and the audience moves around, from scene to scene, dancing all the while. Natasha, Pierre and the Comet of 1812, is an electronic pop opera based on a portion of Tolstoy's War and Peace, and is set in a Russian restaurant where audiences are served a meal and vodka as part of the performance. And the audience explores a run-down hotel in Sleep No More, a dance/theater experience based loosely on Macbeth, following actors up and down floors and into different rooms.
Telemundo announced that its telenovelaEl Señor de los Cielos (Lord of the Skies) will be back for an unheard of second season. This is a radical departure from traditional telenovelas, which have a clear beginning and a definitive ending.
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