"Art Beat" With Stephanie Kaye - Tuesday, January 26, 2010 | WAMU 88.5 - American University Radio

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"Art Beat" With Stephanie Kaye - Tuesday, January 26, 2010

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(Through March 14) MAHALIA There's a revival going on at Alexandria's MetroStage bringing back Mahalia: A Gospel Musical through March 14th. The Helen-Hayes award-winning production follows Mahalia "Halie" Jackson on a wave of song from the shanties of New Orleans to the "magic circle" of Carnegie Hall, in a hilarious and touching hand-clapping show.

(January 27-February 21) PERMANENT COLLECTION Round House Theatre in Bethesda, Maryland opens its newest play, Permanent Collection tomorrow night. The discovery of eight remarkable African sculptures leads to a confrontation about art and race, and the politics at play in a museum's display.

(January 30-March 6) PROJECT 4 Project 4 gallery along D.C.'s U Street Corridor opens the exhibit Underbelly this Saturday and running through March 6th. The artist with a numeral in his name, Adam "5100" Feibelman, hails most recently from San Francisco, bringing images of the Bay City's architecture from a kaleidoscopic point of view.

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'Halt And Catch Fire' Explores What It Was Like For Women In '80s Tech

Mackenzie Davis, lead actress in the AMC show, says she's more interested in the story of an underdog woman than of a "damaged, white, middle-class male figuring out his dreams."
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To Help Fight World Hunger, You Can Overeat At José Andrés' 'Dine-N-Dash'

On June 9, 17 restaurants in Penn Quarter will take part in the Dine-N-Dash, an event to help José Andrés' non-profit World Central Kitchen fight hunger across the globe.
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Texas Loses Billions To Treat The Poor By Not Expanding Medicaid, Advocates Say

When the Supreme Court ruled that the federal government could not compel states to expand Medicaid programs, many Southern and Midwestern states opted out. One quarter of the uninsured live in Texas.
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'Halt And Catch Fire' Explores What It Was Like For Women In '80s Tech

Mackenzie Davis, lead actress in the AMC show, says she's more interested in the story of an underdog woman than of a "damaged, white, middle-class male figuring out his dreams."

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